| Full Name | Georges-Pierre Seurat |
| Birth | 2 December 1859, Paris, France |
| Death | 29 March 1891 (aged 31), Paris, France |
| Known For | Painting |
| Notable Works | A Sunday Afternoon on the Island of La Grande Jatte, Bathers at Asnières |
| Art Movements | Post-Impressionism, Neo-Impressionism, Pointillism |
| Partner | Madeleine Knobloch |
| Children | 2 |
| Techniques | Chromoluminarism, Pointillism, Conté crayon drawings |
| Early Education | École Municipale de Sculpture et Dessin, École des Beaux-Arts |
| Teachers | Henri Lehmann |
| Influences | Eugène Delacroix |
| First Exhibited Work | Conté crayon drawing of Aman-Jean at the Salon in 1883 |
| Major Work | A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) |
| Family Background | Son of Antoine Chrysostome Seurat (father) and Ernestine Faivre (mother); had an older brother, Émile Augustin, and sister, Marie-Berthe |
| Father’s Occupation | Former legal official and property speculator |
| Artistic Style | Combined sensibility with logical abstraction and mathematical precision |
| Impact on Art | Initiated Neo-Impressionism, altered the direction of modern art |
| Residence | Moved several times in Paris, including living at 136 boulevard de Magenta and 16 rue de Chabrol |
| Military Service | Completed a year of military service at the Brest Military Academy |
