Britney Spears

Britney Jean Spears was born on December 2, 1981 in McComb, Mississippi, the second child of Lynne Irene Bridges and James Parnell Spears. Her maternal grandmother, Lillian Portell, was English (born in London), and one of Spears’s maternal great-great-grandfathers was Maltese. Her siblings are Bryan James and Jamie Lynn Spears. She was born in the Bible Belt, where socially conservative evangelical Protestantism is a particularly strong religious influence; Spears was baptized as a Southern Baptist and sang in a church choir as a child. As an adult, she has studied Kabbalist teachings.

At age three, she started attending dance lessons in her hometown of Kentwood, Louisiana, and was selected to perform as a solo artist at the annual recital. Spears made her local stage debut at age five, singing “What Child Is This?” at her kindergarten graduation. During her childhood, she also had gymnastics and voice lessons, and won many state-level competitions and children’s talent shows. She said about her ambition as a child, “I was in my own world, I found out what I’m supposed to do at an early age”.

At age eight, Spears and her mother Lynne traveled to Atlanta, Georgia to audition for the 1990s revival of The Mickey Mouse Club. Casting director Matt Casella rejected her as too young, but introduced her to Nancy Carson, a New York City talent agent. Carson was impressed with Spears’s singing and suggested enrolling her at the Professional Performing Arts School; shortly after, Lynne and her daughters moved to a sublet apartment in New York.

Spears was hired for her first professional role as the understudy for the lead role of Tina Denmark in the Off-Broadway musical Ruthless!. She also appeared as a contestant on the popular television show Star Search and was cast in a number of commercials. In December 1992, she was cast in The Mickey Mouse Club alongside Christina Aguilera, Justin Timberlake, Ryan Gosling, and Keri Russell. After the show was canceled in 1996, she returned to Mississippi and enrolled at McComb’s Parklane Academy. Although she made friends with most of her classmates, she compared the school to “the opening scene in Clueless with all the cliques. I was so bored. I was the point guard on the basketball team. I had my boyfriend, and I went to homecoming and Christmas formal. But I wanted more.”

In June 1997, Spears was in talks with manager Lou Pearlman to join the female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided that he wanted to pitch her to record labels, for which she needed a professional demo made. He sent Spears an unused song of Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears traveled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, saying that audiences wanted pop bands such as the Backstreet Boys and the Spice Girls, and “there wasn’t going to be another Madonna, another Debbie Gibson, or another Tiffany.”

Two weeks later, executives from Jive Records returned calls to Rudolph. Senior vice president of A&R Jeff Fenster said about Spears’s audition that “it’s very rare to hear someone that age who can deliver emotional content and commercial appeal…For any artist, the motivation—the ‘eye of the tiger’—is extremely important. And Britney had that.” Spears sang Houston’s “I Have Nothing” (1992) for the executives, and was subsequently signed to the label. They appointed her to work with producer Eric Foster White for a month, who reportedly shaped her voice from “lower and less poppy” delivery to “distinctively, unmistakably Britney.” After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned “Sheryl Crow music, but younger; more adult contemporary.” She felt secure with her label’s appointment of producers, since “It made more sense to go pop, because I can dance to it—it’s more me.” She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz Pop and Rami Yacoub, among others.